کتاب گفت و گو با آنتونیونی

In the 1960s and 1970s, Michelangelo Antonioni (1912-2007) forged a cinematic language that reflected a changed, postwar world. His early successes, including Lavventura (1960) and La notte (1961), reshaped film drama by focusing so intently on characters (particularly couples) that plot was often a secondary concern. He also moved away from the social realism of his Italian peers. His most notable English-language films, from Blow Up (1966) to Zabriskie Point (1970), engage contemporary politics and modern social alienation.

Michelangelo Antonioni: Interviews collects a broad range of conversations with this iconoclastic filmmaker, including one, never before in print, with the editor of this volume. In interviews ranging from 1960 to 1983, Antonioni discusses his neuroses, his cinematic concerns, his roots in Italian neorealism, and the reasons he ultimately broke free of the styles constraints. He insists that the struggle to understand the inner lives of characters is the crucial issue that cinema must tackle.

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